Lynda Benglis Monograph
Lynda Benglis
Hard Cover
450 pages
8" x 10 1/4"
American sculptor Lynda Benglis (American, b. 1941) is known for pioneering and challenging work that questions the rigors of Modernism and Minimalism by merging material, form, and content. Spanning 40 years, the exhibition at the RISD Museum of Art (Oct. 1st, 2010 to January 9th, 2010) represents the breadth of Benglis’s extraordinary creative output, including wax paintings and poured latex and polyurethane foam sculptures of the late 1960s; innovative videos, installations, and “knots” from the 1970s; metalized, pleated wall pieces of the 1980s and ’90s; and more recent works in a variety of mediums, such as the monumental cast-polyurethane The Graces.
A 450-page fully illustrated hardcover monograph, produced by Les Presses du Réel, accompanies the exhibition. It comprises texts by Dave Hickey and Elisabeth Lebovici and exhibition curators Franck Gautherot, Caroline Hancock, Laura Hoptman, and Judith Tannenbaum; an interview with the artist conducted by curator Seungduk Kim; and an in-depth chronology compiled by curator Diana Franssen. Famous and unseen archival material, including magazine articles, photographs, letters, and installation shots, are reproduced, as well as an overview of Benglis’s work since the mid 1960s. Two seminal articles published in Artforum magazine are also reproduced: “The Frozen Gesture” by Robert Pincus-Witten (November 1974) and “Bone of Contention” by Richard Meyer (November 2004).
Hard Cover
450 pages
8" x 10 1/4"
American sculptor Lynda Benglis (American, b. 1941) is known for pioneering and challenging work that questions the rigors of Modernism and Minimalism by merging material, form, and content. Spanning 40 years, the exhibition at the RISD Museum of Art (Oct. 1st, 2010 to January 9th, 2010) represents the breadth of Benglis’s extraordinary creative output, including wax paintings and poured latex and polyurethane foam sculptures of the late 1960s; innovative videos, installations, and “knots” from the 1970s; metalized, pleated wall pieces of the 1980s and ’90s; and more recent works in a variety of mediums, such as the monumental cast-polyurethane The Graces.
A 450-page fully illustrated hardcover monograph, produced by Les Presses du Réel, accompanies the exhibition. It comprises texts by Dave Hickey and Elisabeth Lebovici and exhibition curators Franck Gautherot, Caroline Hancock, Laura Hoptman, and Judith Tannenbaum; an interview with the artist conducted by curator Seungduk Kim; and an in-depth chronology compiled by curator Diana Franssen. Famous and unseen archival material, including magazine articles, photographs, letters, and installation shots, are reproduced, as well as an overview of Benglis’s work since the mid 1960s. Two seminal articles published in Artforum magazine are also reproduced: “The Frozen Gesture” by Robert Pincus-Witten (November 1974) and “Bone of Contention” by Richard Meyer (November 2004).
Price: $55.00
RISD Museum of Art
www.risdmuseum.org
The Museum of Art, Rhode Island School of Design, also known as the RISD Museum, is Rhode Island’s leading museum of fine and decorative art, housing a collection of 84,000 objects of international significance. It is southeastern New England’s only comprehensive art museum and is accredited by the American Association of Museums. The RISD Museum strives to be a vital cultural resource by educating and inspiring a wide variety of audiences: families and individuals, scholars and researchers, artists and designers, and students of all ages. The Museum maintains an active program of exhibitions, lectures, tours, workshops and publications dedicated to the interpretation of art and design from diverse cultures ranging from ancient times to the present.
The Museum of Art, Rhode Island School of Design, also known as the RISD Museum, is Rhode Island’s leading museum of fine and decorative art, housing a collection of 84,000 objects of international significance. It is southeastern New England’s only comprehensive art museum and is accredited by the American Association of Museums. The RISD Museum strives to be a vital cultural resource by educating and inspiring a wide variety of audiences: families and individuals, scholars and researchers, artists and designers, and students of all ages. The Museum maintains an active program of exhibitions, lectures, tours, workshops and publications dedicated to the interpretation of art and design from diverse cultures ranging from ancient times to the present.





